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$649.00
5 in stock
5 in stock
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Compact 5.2″ HDR Display: 1920 × 1080 touchscreen with 1000 nits brightness, sharp and portable for gimbal, handheld, or run-and-gun shooting.
4K ProRes & DNx Recording: Records up to 4K60p from HDMI cameras directly to SSDs in Apple ProRes or Avid DNxHR for broadcast-ready workflows.
Expanded Codec Options: H.265 (HEVC) recording included, allowing efficient compressed workflows for web and delivery.
Professional Monitoring Tools: Waveform, vectorscope, zebras, focus peaking, false color, HDR preview, anamorphic de-squeeze, and LUT support.
AtomOS Interface: User-friendly menus via multi-touch display for fast on-set control.
Cloud Integration: Supports Atomos Connect module (optional) for cloud workflows, including Frame.io Camera to Cloud.
Media Flexibility: Records to AtomX SSDmini, Master Caddy II, or other approved SATA SSDs via AtomX adapters.
Lightweight & Rugged: Compact aluminum body built for field use, ideal for rigs where weight savings matter.
Power Options: Powered via Sony NP-F batteries, DC input, or USB-C PD (with accessories).
Accessory Kit Convenience: Includes essential add-ons like batteries, charger, SSD caddy, screen protectors, and a carry case for immediate use.
| Category | Detail |
|---|---|
| Display | 5.2-inch 1920 × 1080 IPS touchscreen, 1000 nits brightness |
| Bit Depth / Color | 10-bit (8+2 FRC), HDR support: Rec.709, HLG, PQ (HDR10) |
| Input/Output | 1× HDMI 2.0 input (up to 4K60), 1× HDMI output (loop) |
| Recording Resolutions | 4K DCI/UHD up to 60p 1080p up to 120 fps |
| Recording Formats | Apple ProRes, Avid DNxHR/HD, H.265 (HEVC) |
| Monitoring Tools | Waveform, vectorscope, false color, LUTs, peaking, zebras, anamorphic de-squeeze, HDR preview |
| Storage Media | AtomX SSDmini, Atomos Master Caddy II, or approved 2.5″ SATA/M.2 SSDs |
| Audio Support | 8-channel HDMI embedded audio, 3.5mm stereo input/headphone out |
| Connectivity | Wi-Fi & Ethernet with optional Atomos Connect module |
| Battery System | Sony L-Series (NP-F) batteries, hot-swappable |
| Power Input | DC input (6.2–16.8V) or USB-C PD |
| Dimensions | 151 × 91.5 × 31 mm (≈ 5.94 × 3.6 × 1.22 in) |
| Weight | 360 g ≈ 0.79 lb ≈ 12.7 oz (without batteries/media) |
| Body Material | Aluminum alloy housing |
| Included Accessory Kit | 2× NP-F batteries, charger, AtomX SSD caddy, screen protectors, travel case |
The Atomos Ninja 5.2″ 4K HDMI Recording Monitor with Accessory Kit is a compact yet powerful HDR monitor-recorder for filmmakers who need ProRes/DNx recording, HDR monitoring, and on-set flexibility. The included accessory kit makes it a ready-to-shoot package, ideal for creators who want an all-in-one monitoring and recording solution right out of the box.
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
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