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Portable 5.2″ HDR Display: 1920 × 1080 IPS panel with 1000 nits brightness, ideal for handheld, gimbal, and on-location shooting.
4K ProRes RAW & ProRes Recording: Records HDMI camera feeds up to 4K60p in Apple ProRes RAW, ProRes, DNxHR, and H.265, covering both cinematic and broadcast workflows.
High Frame Rate Support: Records up to 4K60p or 1080p120 (camera dependent), offering slow-motion capabilities in a compact recorder.
Advanced Monitoring Tools: Built-in waveform, vectorscope, zebras, LUT support, false color, HDR preview, anamorphic de-squeeze, and focus peaking.
HDR & Wide Gamut Support: Compatible with Rec.709, HLG, PQ (HDR10), and Rec.2020 workflows for accurate monitoring on set.
AtomOS Ultra: New generation OS with faster, more intuitive menus and touchscreen interaction.
Codec Flexibility: Includes H.265 (HEVC) recording license for efficient compressed workflows.
Compact & Lightweight: At under 1 lb, the Ninja Ultra is perfect for gimbal or travel setups where portability matters most.
Cloud-Connected (Optional): Supports Atomos Connect module for remote collaboration, live streaming, and Camera to Cloud (Frame.io, etc.).
Rugged Build: Aluminum alloy housing with reinforced connectors for professional durability.
Flexible Powering: Runs on Sony NP-F batteries, DC input, or USB-C PD for flexible powering options.
| Category | Detail |
|---|---|
| Display | 5.2-inch 1920 × 1080 IPS touchscreen, 1000 nits brightness |
| Bit Depth / Color | 10-bit (8+2 FRC), HDR: Rec.709, HLG, PQ (HDR10), Rec.2020 |
| Inputs/Outputs | 1× HDMI 2.0 input (up to 4K60), 1× HDMI 2.0 loop output |
| Recording Resolutions | 4K DCI/UHD up to 60p 1080p up to 120 fps |
| Recording Formats | Apple ProRes RAW, Apple ProRes, Avid DNxHR/HD, H.265 (HEVC) |
| Monitoring Tools | Waveform, vectorscope, zebras, false color, LUTs, anamorphic de-squeeze, HDR preview, focus assist |
| Storage Media | AtomX SSDmini, Atomos Master Caddy II, or approved 2.5″ SATA/M.2 SSDs |
| Audio Support | 8-channel HDMI embedded audio, 3.5mm mic/headphone ports |
| Connectivity | Supports Atomos Connect module for Wi-Fi, Ethernet, Camera to Cloud |
| Battery System | Sony L-Series (NP-F) batteries, hot-swappable |
| Power Input | DC input (6.2–16.8V), USB-C PD |
| Dimensions | 151 × 91.5 × 31 mm (≈ 5.94 × 3.6 × 1.22 in) |
| Weight | 360 g ≈ 0.79 lb ≈ 12.7 oz (without batteries/media) |
| Body Material | Aluminum alloy housing |
The Atomos Ninja Ultra 5.2″ 4K HDMI Recording Monitor is a compact, HDR-capable monitor-recorder designed for filmmakers who need ProRes RAW workflows, advanced monitoring tools, and portable design. With support for 4K60 recording, 1080p120 slow-motion, and codec flexibility including H.265, it’s ideal for hybrid creators, run-and-gun shooters, and gimbal setups.
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
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