Low to no Initial Payment | 90 Days Payment Plan | All Credit Welcome: Apply Now ! 714-775-5504
Low to no Initial Payment | 90 Days Payment Plan | All Credit Welcome: Apply Now ! 714-775-5504
Low to no Initial Payment | 90 Days Payment Plan | All Credit Welcome: Apply Now ! 714-775-5504
$14,995.00
Out of stock
Usually ready in 4 hours
8K Vista Vision Sensor: Full-frame 35.4MP CMOS sensor with 8K resolution up to 120 fps, providing extreme detail and cinematic flexibility.
High-Speed Recording: Supports 8K120, 6K200, 4K300, and 2K600 fps (depending on crop), making it one of the fastest pro cinema cameras available.
Unmatched Dynamic Range: Over 17+ stops of dynamic range ensures maximum highlight/shadow detail for HDR workflows.
REDCODE RAW Workflow: Shoots in REDCODE RAW (R3D) for full post-production control, with additional ProRes recording options for quick turnarounds.
Canon RF Lens Mount: Native RF mount with compatibility for Canon RF lenses and adaptability to EF, PL, or other mounts.
Dual 8K SDI Outputs: Professional-grade connectivity, allowing simultaneous monitoring, recording, or streaming setups.
Large Body Design (XE Version): The XE body provides more robust I/O, cooling, and ergonomic handling than the compact standard V-RAPTOR, optimized for high-end productions.
Professional Monitoring Tools: Built-in LUTs, false color, focus assist, waveform, and RED’s image processing tools.
Production-Ready Build: Modular aluminum-alloy chassis designed for heavy-duty cinema rigs and studio/broadcast setups.
Flexible Power Options: Compatible with block batteries, V-Mount/Gold-Mount systems, or DC input for extended runtime.
Future-Proof Resolution: 8K files allow reframing, stabilization, and delivery in 4K/2K without image degradation.
| Category | Detail |
|---|---|
| Sensor | 35.4MP Full-Frame (Vista Vision) CMOS |
| Resolution / Frame Rates | 8K (8192 × 4320) up to 120 fps 6K up to 200 fps 4K up to 300 fps 2K up to 600 fps |
| Dynamic Range | 17+ stops |
| Lens Mount | Canon RF (adaptable to EF, PL, etc.) |
| Recording Formats | REDCODE RAW (R3D), Apple ProRes 422/422HQ/4444XQ |
| Media | CFexpress Type B cards |
| Autofocus | Phase-detection AF with RF/EF lenses |
| Outputs | Dual 12G-SDI, USB-C, HDMI, Genlock, Timecode I/O, Gigabit Ethernet |
| Monitoring | External RED DSMC3 monitors or SDI out (no built-in LCD) |
| Audio | 5-pin LEMO, 3.5mm mic input (via adapters), internal scratch mic |
| Power | DC input, block batteries, V-Mount/Gold-Mount options |
| Dimensions | Approx. 160 × 120 × 140 mm (≈ 6.3 × 4.7 × 5.5 in) |
| Weight | ~2.95 kg ≈ 6.5 lb ≈ 104 oz (body only) |
| Body Material | Aluminum alloy, modular XE chassis |
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions
Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
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